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The cloud of the unknowing was the most exhilerating, beautifully shot moment of total cinema I have ever experienced.
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Cuetips, mobile phones, tinfoil, crystals, videos of politics and revolution on ipads, masking tape - overwhelming in every sense.
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A Turkish ghetto created immaculately within the pavillion. Less over the top that his best known work but equally as emotive.
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A trio of kitsch as hell video collage pieces fusing stock footage, psych colours and Canaletto prints - all in tacky gold frames.
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A history of political records and speeches in the 20th century stood out in a fascinating show on the freedom of speech.
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Who knew there was so much good talent here? Really inventive use of foam, nails and any materials going. And of course a touch of voodoo.
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As your put your card in music plays from the giant organ attached. Even better was at first noone knew the Allora and Calzadilla piece was interactive. (Great Hugo Boss party to celebrate too).
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A surprisingly sprititual tornedo of smoke in an empty basilica.
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A fat round moon at night with a wood of black fake trees.
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3rd year of sheer and utter genius. Veervordt scores a hattrick.
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1 comment:
Thanks for the excellent review and guide to the Bienalle. We saw all but two of the sites you mentioned (couldn't find Haiti and didn't have time for the ride over to Maggiore for Anish Kapoor). I am going to post over on my blog for a personal top 10 but especially wanted to thank you for the tip on Ho Tzu Nyen at the Sngapore Pavillion. I wouldn't have otherwise gone out of my way for it and yet it was totally worth the detour. The kind girl at reception even said she might send me the little booklet about the film. The girl at reception mentioned that each of the actors also worked on technical aspects of the project and so it was a group effort. It was fascinating particularly how each of the stories intersected are around the common dream and column I nthe building. Fascinating - thanks again!
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